The Maturation Of Huckleberry Finn Essay -- essays research papers

The Adventures of Huckleberry Finn begins with Huck introducing himself. He is wild and carefree, playing jokes on people and believing them all to be hilarious. When his adventures grow to involve new moral questions never before raised, there is a drastic change in his opinions, thoughts, and his views of "right and wrong", and Huck's "rejection of the values of society has tried to instill in him" (Wright 154). By the time the book is over, it is apparent that he has matured greatly since the beginning of the novel. Certainly the people and events Huck comes in contact with through his adventures causes this change, which include: Jim, the Duke and the King with the Wilks' family, Pap and the Widow Douglas, and the time spent with the Grangerfords. The person who affected Huck the most was Jim. Jim was Huck's companion throughout the entire journey. At first Huck considers Jim only as a "nigger" because of the way he was brought up, yet Jim is much more than a stereotypical slave and Huck develops a deep feeling of loyalty toward him. During their adventure together, Huck always feels a duty to reveal Jim's identity as a runaway slave, but is held back when he remembers Jim's kindness and integrity "Jim would always call me honey†¦ and do everything he could think of for me, and how good he always was" (Twain 95). An example when Huck questions his morals and helps Jim is when they are traveling down the river when they come across m... The Maturation Of Huckleberry Finn Essay -- essays research papers The Adventures of Huckleberry Finn begins with Huck introducing himself. He is wild and carefree, playing jokes on people and believing them all to be hilarious. When his adventures grow to involve new moral questions never before raised, there is a drastic change in his opinions, thoughts, and his views of "right and wrong", and Huck's "rejection of the values of society has tried to instill in him" (Wright 154). By the time the book is over, it is apparent that he has matured greatly since the beginning of the novel. Certainly the people and events Huck comes in contact with through his adventures causes this change, which include: Jim, the Duke and the King with the Wilks' family, Pap and the Widow Douglas, and the time spent with the Grangerfords. The person who affected Huck the most was Jim. Jim was Huck's companion throughout the entire journey. At first Huck considers Jim only as a "nigger" because of the way he was brought up, yet Jim is much more than a stereotypical slave and Huck develops a deep feeling of loyalty toward him. During their adventure together, Huck always feels a duty to reveal Jim's identity as a runaway slave, but is held back when he remembers Jim's kindness and integrity "Jim would always call me honey†¦ and do everything he could think of for me, and how good he always was" (Twain 95). An example when Huck questions his morals and helps Jim is when they are traveling down the river when they come across m...

The Vampire Diaries: Dark Reunion Chapter Two

â€Å"And that's all I remember,† Bonnie concluded as she and Meredith walked down Sunflower Street between the rows of tall Victorian houses. â€Å"But it was definitely Elena?† â€Å"Yes, and she was trying to tell me something at the end. But that's the part that wasn't clear, except that it was important, terribly important. What do you think?† â€Å"Mouse sandwiches and open graves?† Meredith arched an elegant eyebrow. â€Å"I think you're getting Stephen King mixed up with Lewis Carroll.† Bonnie thought she was probably right. But the dream still bothered her; it had bothered her all day, enough to put her earlier worries out of her mind. Now, as she and Meredith approached Caroline's house, the old worries returned with a vengeance. She really should have told Meredith about this, she thought, casting an uneasy sideways glance at the taller girl. She shouldn't let Meredith just walk in there unprepared†¦ Meredith looked up at the lighted windows of the Queen Anne House with a sigh. â€Å"Do you really need those earrings tonight?† â€Å"Yes, I do; yes, absolutely.† Too late now. Might as well make the best of it. â€Å"You'll love them when you see them,† she added, hearing the note of hopeful desperation in her own voice. Meredith paused and her keen dark eyes searched Bonnie's face curiously. Then she knocked on the door. â€Å"I just hope Caroline's not staying home tonight. We could end up stuck with her.† â€Å"Caroline staying home on a Saturday night? Don't be ridiculous.† Bonnie had been holding her breath too long; she was starting to feel lightheaded. Her tinkling laughter came out brittle and false. â€Å"What a concept,† she continued somewhat hysterically as Meredith said, â€Å"I don't think anybody's home,† and tried the knob. Possessed by some crazy impulse Bonnie added, â€Å"Fiddle-dee-dee.† Hand on doorknob, Meredith stopped dead and turned to look at her. â€Å"Bonnie,† she said quietly, â€Å"have you gone completely through the ozone?† â€Å"No.† Deflated, Bonnie grabbed Meredith's arm and sought her eyes urgently. The door was opening on its own. â€Å"Oh, God, Meredith, please don't kill me†¦Ã¢â‚¬  â€Å"Surprise!† shouted three voices. â€Å"Smile,† Bonnie hissed, shoving the suddenly resistant body of her friend through the door and into the bright room full of noise and showers of foil confetti. She beamed wildly herself and spoke through clenched teeth. â€Å"Kill me later-I deserve it -but for now just smile.† There were balloons, the expensive Mylar kind, and a cluster of presents on the coffee table. There was even a flower arrangement, although Bonnie noticed the orchids in it matched Caroline's pale green scarf exactly. It was a Hermes silk with a design of vines and leaves. She'll end up wearing one of those orchids in her hair, I'll bet, Bonnie thought. There were balloons, the expensive Mylar kind, and a cluster of presents on the coffee table. There was even a flower arrangement, although Bonnie noticed the orchids in it matched Caroline's pale green scarf exactly. It was a Hermes silk with a design of vines and leaves. She'll end up wearing one of those orchids in her hair, I'll bet, Bonnie thought. â€Å"Nothing I can't break with an iron crowbar,† Meredith replied. But she smiled back with wry warmth and Bonnie relaxed. Sue had been a Homecoming Princess on Elena's court, along with Bonnie, Meredith, and Caroline. She was the only girl at school besides Bonnie and Meredith who'd stood by Elena when everyone else had turned against her. At Elena's funeral she'd said that Elena would always be the real queen of Robert E. Lee, and she'd given up her own nomination for Snow Queen in Elena's memory. Nobody could hate Sue. The worst was over now, Bonnie thought. â€Å"I want to get a picture of us all on the couch,† Caroline said, positioning them behind the flower arrangement. â€Å"Vickie, take it, will you?† Vickie Bennett had been standing by quietly, unnoticed. Now she said, â€Å"Oh, sure,† and nervously flicked long, light brown hair out of her eyes as she picked up the camera. Just like she's some kind of servant, Bonnie thought, and then the flashbulb blinded her. As the Polaroid developed and Sue and Caroline laughed and talked around Meredith's dry politeness, Bonnie noticed something else. It was a good picture; Caroline looked stunning as ever with her auburn hair gleaming and the pale green orchids in front of her. And there was Meredith, looking resigned and ironic and darkly beautiful without even trying, and there she was herself, a head shorter than the others, with her red curls tousled and a sheepish expression on her face. But the strange thing was the figure beside her on the couch. It was Sue, of course it was Sue, but for a moment the blond hair and blue eyes seemed to belong to someone else. Someone looking at her urgently, on the verge of saying something important. Bonnie frowned at the photo, blinking rapidly. The image swam in front of her, and a chilling uneasiness ran up her spine. No, it was just Sue in the picture. She must've gone crazy for a minute, or else she was letting Caroline's desire for them â€Å"all to be together again† affect her. â€Å"I'll take the next one,† she said, springing up. â€Å"Sit down, Vickie, and lean in. No, farther, farther-there!† All of Vickie's movements were quick and light and nervous. When the flashbulb went off, she started like a scared animal ready to bolt. Caroline scarcely glanced at this picture, getting up and heading for the kitchen instead. â€Å"Guess what we're having instead of cake?† she said. â€Å"I'm making my own version of Death by Chocolate. Come on, you've got to help me melt the fudge.† Sue followed her, and after an uncertain pause, so did Vickie. The last traces of Meredith's pleasant expression evaporated and she turned to Bonnie. â€Å"You should have told me.† â€Å"And that makes it all worthwhile?† â€Å"Well, it helps,† Bonnie said, with an air of being reasonable. â€Å"And really, it probably won't be so bad. Caroline's actually trying to be nice, and it's good for Vickie to get out of the house for once†¦Ã¢â‚¬  â€Å"It doesn't look like it's good for her,† Meredith said bluntly. â€Å"It looks like she's going to have a heart attack.† â€Å"Well, she's probably just nervous.† In Bonnie's opinion, Vickie had good reason to be nervous. She'd spent most of the previous fall in a trance, being slowly driven out of her mind by a power she didn't understand. Nobody had expected her to come out of it as well as she had. Meredith was still looking bleak. â€Å"At least,† Bonnie said consolingly, â€Å"it isn't your real birthday.† Meredith picked up the camera and turned it over and over. Still looking down at her hands, she said, â€Å"But it is.† â€Å"What?† Bonnie stared and then said louder, â€Å"What did you say?† â€Å"I said, it is my real birthday. Caroline's mom must have told her; she and my mom used to be friends a long time ago.† â€Å"Meredith, what are you talking about? Your birthday was last week, May 30.† â€Å"No, it wasn't. It's today, June 6. It's true; it's on my driver's license and everything. My parents started celebrating it a week early because June 6 was too upsetting for them. It was the day my grandfather was attacked and went crazy.† As Bonnie gasped, unable to speak, she added calmly, â€Å"He tried to kill my grandmother, you know. He tried to kill me, too.† Meredith put the camera down carefully in the exact center of the coffee table. â€Å"We really should go in the kitchen,† she said quietly. â€Å"I smell chocolate.† Bonnie was still paralyzed, but her mind was beginning to work again. Vaguely, she remembered Meredith speaking about this before, but she hadn't told her the full truth then. And she hadn't said when it had happened. â€Å"Attacked-you mean like Vickie was attacked,† Bonnie got out. She couldn't say the word vampire, but she knew Meredith understood. â€Å"Like Vickie was attacked,† Meredith confirmed. â€Å"Come on,† she added, even more quietly. â€Å"They're waiting for us. I didn't mean to upset you.† Meredith doesn't want me to be upset, so I won't be upset, Bonnie thought, pouring hot fudge over the chocolate cake and chocolate ice cream. Even though we've been friends since first grade and she never told me this secret before. pouring hot fudge over the chocolate cake and chocolate ice cream. Even though we've been friends since first grade and she never told me this secret before. Then Bonnie shook her head determinedly. She couldn't think about this right now; she had a party to think about. And I'll make sure it's a good party and we all get along somehow, she thought. Strangely, it wasn't even that hard. Meredith and Vickie didn't talk much at first, but Bonnie went out of her way to be nice to Vickie, and even Meredith couldn't resist the pile of brightly wrapped presents on the coffee table. By the time she'd opened the last one they were all talking and laughing. The mood of truce and toleration continued as they moved up into Caroline's bedroom to examine her clothes and CDs and photo albums. As it got near midnight they flopped on sleeping bags, still talking. â€Å"What's going on with Alaric these days?† Sue asked Meredith. Alaric Saltzman was Meredith's boyfriend-sort of. He was a graduate student from Duke University who'd majored in parapsychology and had been called to Fell's Church last year when the vampire attacks began. Though he'd started out an enemy, he'd ended up an ally-and a friend. â€Å"He's in Russia,† Meredith said. â€Å"Perestroika, you know? He's over there finding out what they were doing with psychics during the Cold War.† â€Å"What are you going to tell him when he gets back?† asked Caroline. It was a question Bonnie would have liked to ask Meredith herself. Because Alaric was almost four years older, Meredith had told him to wait until after she graduated to talk about their future. But now Meredith was eighteen-today, Bonnie reminded herself-and graduation was in two weeks. What was going to happen after that? â€Å"I haven't decided,† Meredith said. â€Å"Alaric wants me to go to Duke, and I've been accepted there, but I'm not sure. I have to think.† Bonnie was just as glad. She wanted Meredith to go to Boone Junior College with her, not go off and get married, or even engaged. It was stupid to decide on one guy so young. Bonnie herself was notorious for playing the field, going from boy to boy as she pleased. She got crushes easily, and got over them just as easily. â€Å"I haven't seen the guy so far worth remaining faithful to,† she said now. Everyone looked at her quickly. Sue's chin was resting on her fists as she asked, â€Å"Not even Stefan?† Bonnie should have known. With the only light the dim bedside lamp and the only sound the rustle of new leaves on the weeping willows outside, it was inevitable that the conversation would turn to Stefan-and to Elena. Stefan Salvatore and Elena Gilbert were already a sort of legend in the town, like Romeo and Juliet. When Stefan had first come to Fell's Church, every girl had wanted him. And Elena, the most beautiful, most popular, most unapproachable girl at school, had wanted him too. It was only after she'd gotten him that she realized the danger. Stefan wasn't what he seemed-he had a secret far darker than anyone could have guessed. And he had a brother, Damon, even more mysterious and dangerous than himself. Elena had been caught between the two brothers, loving Stefan but drawn irresistibly to Damon's wildness. In the end she had died to save them both, and to redeem their love. Stefan Salvatore and Elena Gilbert were already a sort of legend in the town, like Romeo and Juliet. When Stefan had first come to Fell's Church, every girl had wanted him. And Elena, the most beautiful, most popular, most unapproachable girl at school, had wanted him too. It was only after she'd gotten him that she realized the danger. Stefan wasn't what he seemed-he had a secret far darker than anyone could have guessed. And he had a brother, Damon, even more mysterious and dangerous than himself. Elena had been caught between the two brothers, loving Stefan but drawn irresistibly to Damon's wildness. In the end she had died to save them both, and to redeem their love. â€Å"I still can't believe she's gone,† Sue said quietly, shaking her head and shutting her eyes. â€Å"She was so much more alive than other people.† â€Å"Her flame burned brighter,† said Meredith, gazing at the patterns the rose-and-gold lamp made on the ceiling. Her voice was soft but intense, and it seemed to Bonnie that those words described Elena better than anything she'd ever heard. â€Å"There were times when I hated her, but I could never ignore her,† Caroline admitted, her green eyes narrowed in memory. â€Å"She wasn't a person you could ignore.† â€Å"One thing I learned from her death,† Sue said, â€Å"is that it could happen to any of us. You can't waste any of life because you never know how long you've got.† â€Å"It could be sixty years or sixty minutes,† Vickie agreed in a low voice. â€Å"Any of us could die tonight.† Bonnie wriggled, disturbed. But before she could say anything, Sue repeated, â€Å"I still can't believe she's really gone. Sometimes I feel as if she's somewhere near.† â€Å"Oh, so do I,† said Bonnie, distracted. An image of Warm Springs flashed through her mind, and for a moment it seemed more vivid than Caroline's dim room. â€Å"Last night I dreamed about her, and I had the feeling it really was her and that she was trying to tell me something. I still have that feeling,† she said to Meredith. The others gazed at her silently. Once, they would all have laughed if Bonnie hinted at any-thing supernatural, but not now. Her psychic powers were undisputed, awesome, and a little scary. â€Å"Do you really?† breathed Vickie. â€Å"What do you think she was trying to say?† asked Sue. â€Å"I don't know. At the end she was trying so hard to stay in contact with me, but she couldn't.† There was another silence. At last Sue said hesitantly, with the faintest catch in her voice, â€Å"Do you think†¦ do you think you could contact her?† It was what they'd all been wondering. Bonnie looked toward Meredith. Earlier, Meredith had dismissed the dream, but now she met Bonnie's eyes seriously. â€Å"Is that the only way to communicate with dead people? What about a Ouija board or something?† Sue asked. â€Å"My parents have a Ouija board,† Caroline said a little too loudly. Suddenly the hushed, low-key mood was broken and an indefinable tension filled the air. Everyone sat up straighter and looked at each other with speculation. Even Vickie looked intrigued on top of her scaredness. â€Å"Would it work?† Meredith said to Bonnie. â€Å"Should we?† Sue wondered aloud. â€Å"Do we dare? That's really the question,† Meredith said. Once again Bonnie found everyone looking at her. She hesitated a final instant, and then shrugged. Excitement was stirring in her stomach. â€Å"Why not?† she said. â€Å"What have we got to lose?† Caroline turned to Vickie. â€Å"Vickie, there's a closet at the bottom of the stairs. The Ouija board should be inside, on the top shelf with a bunch of other games.† She didn't even say, â€Å"Please, will you get it?† Bonnie frowned and opened her mouth, but Vickie was already out the door. â€Å"You could be a little more gracious,† Bonnie told Caroline. â€Å"What is this, your impression of Cinderella's evil stepmother?† â€Å"Oh, come on, Bonnie,† Caroline said impatiently. â€Å"She's lucky just to be invited. She knows that.† â€Å"And here I thought she was just overcome by our collective splendor,† Meredith said dryly. â€Å"And besides-† Bonnie started when she was interrupted. The noise was thin and shrill and it fell off weakly at the end, but there was no mistaking it. It was a scream. It was followed by dead silence and then suddenly peal after peal of piercing shrieks. For an instant the girls in the bedroom stood transfixed. Then they were all running out into the hallway and down the stairs. â€Å"Vickie!† Meredith, with her long legs, reached the bottom first. Vickie was standing in front of the closet, arms outstretched as if to protect her face. She clutched at Meredith, still screaming. â€Å"Vickie, what is it?† Caroline demanded, sounding more angry than afraid. There were game boxes scattered across the floor and Monopoly markers and Trivial Pursuit cards strewn everywhere. â€Å"What are you yelling about?† â€Å"It grabbed me! I was reaching up to the top shelf and something grabbed me around the waist!† â€Å"No! From inside the closet.† Startled, Bonnie looked inside the open closet. Winter coats hung in an impenetrable layer, some of them reaching the floor. Gently disengaging herself from Vickie, Meredith picked up an umbrella and began poking the coats. â€Å"Oh, don't-† Bonnie began involuntarily, but the umbrella encountered only the resistance of cloth. Meredith used it to push the coats aside and reveal the bare cedarwood of the closet wall. â€Å"You see? Nobody there,† she said lightly. â€Å"But you know what is there are these coat sleeves. If you leaned in far enough between them, I'll bet it could feel like somebody's arms closing around you.† Vickie stepped forward, touched a dangling sleeve, then looked up at the shelf. She put her face in her hands, long silky hair falling forward to screen it. For an awful moment Bonnie thought she was crying, then she heard the giggles. â€Å"Oh, God! I really thought-oh, I'm so stupid! I'll clean it up,† Vickie said. â€Å"Later,† said Meredith firmly. â€Å"Let's go in the living room.† Bonnie threw one last look at the closet as they went. When they were all gathered around the coffee table, with several lights turned off for effect, Bonnie put her fingers lightly on the small plastic planchette. She'd never actually used a Ouija board, but she knew how it was done. The planchette moved to point at letters and spell out a message-if the spirits were willing to talk, that is. â€Å"We all have to be touching it,† she said, and then watched as the others obeyed. Meredith's fingers were long and slender, Sue's slim and tapering with oval nails. Caroline's nails were painted burnished copper. Vickie's were bitten. â€Å"Now we close our eyes and concentrate,† Bonnie said softly. There were little hisses of anticipation as the girls obeyed; the atmosphere was getting to all of them. â€Å"Think of Elena. Picture her. If she's out there, we want to draw her here.† The big room was silent. In the dark behind her closed lids Bonnie saw pale gold hair and eyes like lapis lazuli. â€Å"Come on, Elena,† she whispered. â€Å"Talk to me.† The planchette began to move. None of them could be guiding it; they were all applying pressure from different points. Nevertheless, the little triangle of plastic was sliding smoothly, confidently. Bonnie kept her eyes shut until it stopped and then looked. The planchette was pointing to the word Yes. Vickie gave something like a soft sob. Bonnie looked at the others. Caroline was breathing fast, green eyes narrowed. Sue, the only one of all of them, still had her eyes resolutely closed. Meredith looked pale. â€Å"Keep concentrating,† Bonnie told them. She felt unready and a little stupid addressing the empty air directly. But she was the expert; she had to do it. â€Å"Is that you, Elena?† she said. The planchette made a little circle and returned to Yes. Suddenly Bonnie's heart was beating so hard she was afraid it would shake her fingers. The plastic underneath her fingertips felt different, electrified almost, as if some supernatural energy was flowing through it. She no longer felt stupid. Tears came to her eyes, and she could see that Meredith's eyes were glistening too. Meredith nodded at her. â€Å"How can we be sure?† Caroline was saying, loudly, suspiciously. Caroline doesn't feel it, Bonnie realized; she doesn't sense anything I do. Psychically speaking, she's a dud. The planchette was moving again, touching letters now, so quickly that Meredith barely had time to spell out the message. Even without punctuation it was clear. CAROLINE DONT BE A JERK, it said. YOURE LUCKY IM TALKING TO YOU AT ALL â€Å"That's Elena, all right,† Meredith said dryly. â€Å"It sounds like her, but-† â€Å"Oh, shut up, Caroline,† Bonnie said. â€Å"Elena, I'm just so glad†¦Ã¢â‚¬  Her throat locked up and she tried again. BONNIE THERES NO TIME STOP SNIVELING AND GET DOWN TO BUSINESS And that was Elena too. Bonnie sniffed and went on. â€Å"I had a dream about you last night.† TEA â€Å"Yes.† Bonnie's heart was thudding faster than ever. â€Å"I wanted to talk to you, but things got weird and then we kept losing contact-â€Å" BONNIE DONT TRANCE NO TRANCE NO TRANCE â€Å"All right.† That answered her question, and she was relieved to hear it. CORRUPTING INFLUENCES DISTORTING OUR COMMUNICATION THERE ARE BAD THINGS VERY BAD THINGS OUT HERE â€Å"Like what?† Bonnie leaned closer to the board. â€Å"Like what?† NO TIME! The planchette seemed to add the exclamation point. It was jerking violently from letter to letter as if Elena could barely contain her impatience. â€Å"Danger?† Vickie repeated, looking as if she might jump off the chair and run. WAIT LISTEN FIRST THE WHOLE TOWN IS IN DANGER â€Å"What do we do?† said Meredith instantly. YOU NEED HELP HES OUT OF YOUR LEAGUE UNBELIEVABLY STRONG NOW LISTEN AND FOLLOW INSTRUCTIONS YOU HAVE TO DO A SUMMONING SPELL AND THE FIRST INGREDIENT IS H- Without warning, the planchette jerked away from the letters and flew around the board wildly. It pointed at the stylized picture of the moon, then at the sun, then at the words Parker Brothers, Inc. â€Å"Elena!† The planchette bobbed back to the letters. ANOTHER MOUSE ANOTHER MOUSE ANOTHER MOUSE â€Å"What's happening?† Sue cried, eyes wide open now. Bonnie was frightened. The planchette was pulsing with energy, a dark and ugly energy like boiling black tar that stung her fingers. But she could also feel the quivering silver thread that was Elena's presence fighting it. â€Å"Don't let go!† she cried desperately. â€Å"Don't take your hands off it!† MOUSMUDKILLYOU, the board reeled off. BLOODBLOODBLOOD. And then†¦ BONNIE GET OUT RUN HES HERE RUN RUN RU- The planchette jerked furiously, whipping out from under Bonnie's fingers and beyond her reach, flying across the board and through the air as if someone had thrown it. Vickie screamed. Meredith started to her feet. And then all the lights went out, plunging the house into darkness.

Top 10 Brightest Stars in the Sky

Edwin Howard Armstrong, Inventor of FM Radio

Edwin Howard Armstrong (December 18, 1890–February 1, 1954) was an American inventor and one of the great engineers of the 20th century. He is best known for developing the technology for FM (frequency modulation) radio. Armstrong won numerous patents for his inventions and was inducted into the National Inventors Hall of Fame in 1980. Fast Facts: Edwin Howard Armstrong Known For: Armstrong was an accomplished inventor who developed the technology for FM radio.Born: December 18, 1890 in New York, New YorkParents: John and Emily ArmstrongDied: February 1, 1954 in New York, New YorkEducation: Columbia UniversityAwards and Honors: National Inventors Hall of Fame, Institute of Radio Engineers Medal of Honor, French Legion of Honor, Franklin MedalSpouse: Marion MacInnis (m.  1922-1954) Early Life Armstrong was born in New York City on December 18, 1890, the son of John and Emily Armstrong. His father was an employee of Oxford University Press, while his mother was deeply involved in the Presbyterian Church. When he was still very young Armstrong became afflicted with St. Vitus Dance—a muscular disorder—which forced him to be home-schooled for two years. Education Armstrong was only 11 years old when Guglielmo Marconi made the first trans-Atlantic radio transmission. Enthralled, the young Armstrong began studying radio and building homemade wireless equipment, including a 125-foot antenna in his parents backyard. His interest in science and technology took Armstrong to Columbia University, where he studied at the schools Hartley Laboratories and made a strong impression on several of his professors. He finished college in 1913 with a degree in electrical engineering. Regenerative Circuit The same year he graduated, Armstrong invented the regenerative or feedback circuit. Regeneration amplification worked by feeding a received radio signal through a radio tube 20,000 times per second, increasing the power of the received radio signal and allowing radio broadcasts to have a greater range. In 1914, Armstrong was awarded a patent for this invention. His success, however, was short-lived; the following year another inventor, Lee de Forest, filed several applications for competing patents. De Forest believed that he had developed the regenerative circuit first, as did several other inventors who became involved in the legal dispute that lasted many years. Although an initial case was resolved in Armstrongs favor, a later decision ruled that De Forest was the true inventor of the regenerative circuit. This was Armstrongs first experience with the legal system that would later cause him so much turmoil. FM Radio Armstrong is most commonly known for inventing frequency modulation, or FM radio, in 1933. FM improved the audio signal of radio by controlling the static caused by electrical equipment and the earths atmosphere. Prior to this, amplitude modulation (AM) radio had been extremely susceptible to such interference, which was what prompted Armstrong to investigate the problem in the first place. He conducted his experiments in the basement of Columbia Universitys Philosophy Hall. In 1933, Armstrong received U.S. patent 1,342,885 for a Method of Receiving High-Frequency Oscillations Radio for his FM technology. Again, Armstrong was not the only one experimenting with such technology. Scientists at the Radio Corporation of America (RCA) were also testing frequency modulation techniques to improve radio transmissions. In 1934, Armstrong presented his latest finding to a group of RCA officials; he later demonstrated the power of the technology using an antenna at the top of the Empire State Building. RCA, however, decided not to invest in the technology and instead focused on television broadcasting. Armstrong had not lost faith in his discovery, though. He continued to refine and promote FM radio technology, first by partnering with smaller companies such as General Electric and then by presenting the technology to the Federal Communications Commission (FCC). Unlike the RCA officials, those at the FCC presentation were impressed by Armstrongs demonstration; when he played them a jazz recording over FM radio, they were struck by the clarity of the sound. Improvements to FM technology over the 1930s made it more and more competitive with existing technologies. In 1940, the FCC decided to create a commercial FM service, which launched the following year with 40 channels. However, the outbreak of World War II limited the resources that could be put toward new radio infrastructure. Conflicts with RCA—which was still using AM transmissions—also prevented FM radio from taking off. It was not until after the war that the technology began to win popular support. In 1940, RCA, seeing that it was losing the technological race, tried to license Armstrongs patents, but he refused the offer. The company then developed its own FM system. Armstrong accused RCA of patent infringement and began litigation against the company, hoping to win damages for lost royalties. Death Armstrongs inventions made him a rich man, and he held 42 patents in his lifetime. However, he also found himself embroiled in protracted legal disputes with RCA, which viewed FM radio as a threat to its AM radio business. Much of Armstrongs time, as a consequence of the litigation, was devoted to legal matters rather than work on new inventions. Struggling with personal and financial problems, Armstrong committed suicide in 1954 by jumping to his death from his New York City apartment. He was buried in Merrimac, Massachusetts. Legacy In addition to frequency modulation, Armstrong is also known for developing a number of other key innovations. Every radio or television set today makes use of one or more of his inventions. Armstrong even invented the superheterodyne tuner that allowed radios to tune into different radio stations. During the 1960s, NASA used FM transmissions to communicate with its astronauts while they were in space. Today, FM technology is still used throughout the world for most forms of audio broadcasting. Sources Sterling, Christopher H., and Michael C. Keith.  Sounds of Change: a History of FM Broadcasting in America. University of North Carolina Press, 2008.Richter, William A.  Radio: a Complete Guide to the Industry. Lang, 2006.

Solution For Contemporary Economic Issues Essay - 1371 Words

Solution for Contemporary Economic Issues The economic globalization is known as the growing scale of cross-border trade of goods and services, communication, and transportation because of Strengthening economies of a group of countries (Shangquan, 2000). Recently, many countries have encountered new types of economic problems, which is related to economic globalization. To master these problems, economists adopted two general types of economic theories. The first theory is protectionism, which is a philosophy to protect local markets from foreign competition by putting barriers, such as high tariffs. The second theory is known as trade liberalization. The clue of this theory is to encourage countries to stimulate international trade by reducing restrictions between countries. Today, adopting trade liberalization theory is more practical strategy for many countries because it supports the economic growth through stimulating free movement of labor, free trade and outsourcing jobs. The free movement of labor encourages countries to develop their economic renaissance. Pettinger, an economics professor at Greenes College, points out in his article Free Movement of Labor, that many jobs; such as cleaning or some construction jobs, usually are not popular among local people (2012). In Saudi Arabia, almost all workers in cleaning and most of workers in the field of construction are not local workers. Filling high-skill jobs such as research, medicine, and engineering by localShow MoreRelatedProblems Faced By The New Industrial City1586 Words   |  7 PagesContemporary cities face major problems and certain technologies are employed to address these issues. However, while the technological advancement in these cities resolves the problems to a certain extent, further problems are also created. This essay will argue that this requires a continuous need for constant technological solutions to be created to solve the continual influx of problems. Ultimately, this cont inuous issue can be solved if our cities move towards achieving a smarter and sustainableRead MoreThe Discourse On Development As A Form Of Social Change939 Words   |  4 Pagesof progress toward poorer regions of the world in order for capitalistic countries to enjoy economic and political wealth. These presuppositions are problematic in terms of how development is seen as a normative form of social evolution and instrumental in its’ need of intensifiers that state those regions are lacking. Development as a form of social change is destructive because it signifies there are issues waiting to be solved. Arturo Escobar states that development needs to rid itself of its discursiveRead MoreThe Between Class And Alienation1655 Words   |  7 Pagesbetween Class and Alienation According to Marx? According to Marx the types of alienation are an inevitable outcome of a class structured society, which is why he foresaw communism as the solution to prevent alienation and its negative effects. A communist society could potentially resolve structural economic related alienation between humans by removing class conflict. However it does not account for alienation as a result of other forms of stratification such as gender and ethnicity, or existentialRead MoreContemporary Social Theory And Functionalist Approach1457 Words   |  6 Pagespreference over other in contemporary social theory these themes consist of relationship between society and self, nature of social life, possibility, and role of social transformation, structure of social institutions and themes such as class, gender, and race. Contemporary social theory is given importance due to the fact that helps in evaluating the societal features easily. In this paper, the three different contexts that contribute in the deve lopment of contemporary social theory are discussedRead MoreThe Social Contract ( P153-224 ) Essay1275 Words   |  6 Pagescontract is supposed to be the viable solution. According to him the ill-favoured state of circumstances that exist in the contemporary societies are laid out in his account of the moral and political progression of human beings from the peaceful and utopian time of the state of nature where there was equality amongst men to the conditions of inequality, competition and conflict that the contemporary societies suffer from. Consequently in Book I , Chap IV the solution or the social contract is describedRead MoreAmerica s Immigration System Is Broken1458 Words   |  6 Pagesanother country or region to which they are not native in order to settle there, especially as permanent residents or future citizens. Immigrants are motivated to leave their countries for a variety of reasons, including a desire for economic prosperity, political issues, family reunificat ion, escaping conflict or natural disaster, or simply the wish to change one’s surroundings. â€Å"Together we can build a fair, effective and common sense immigration system that lives up to our heritage as a nation ofRead MoreThe Judiciary And The Federal Budget796 Words   |  4 Pagestime available for judicial decision-makers to consider all of the relevant details of a case. Crisis-based policymaking does not just increase judicial caseload; it also engenders judicial urgency. Courts now have to react quickly to legislative issues in order to assure or deny them legal legitimacy. Accelerated statue writing typically ends up delegating power away from the legislature. The legislature broadly grants authority to agencies and administrations in order to avoid compromising overRead MorePolitics, Economics, And Culture1089 Words   |  5 Pageseffects on politics, economics, and culture. Already, this inequality produces an aristocratic class who influences public policy. This influence leads to economic conditions impoverishing the citizenry while enriching the eli te. The elite uses this accumulated power for their own interest instead that of society. As a result, contemporary democratic states devolve into aristocratic states managed by oligarchs. Through the latter part of the twentieth century and onward, economic elites have establishedRead MoreLiteracies in Context1512 Words   |  7 Pages  types   according   to   the   key   learning   areas   (KLAs)    they   are   undertaking.   While   traditional   ideas   of   literacy   often   ignored   the   diverse    needs   of   students,   contemporary   notions   of   literacy   are   constantly   evolving   in    response   to   changes   in   situational   and   social   or   cultural   contexts   (UNE,   2012a,    p.5;   Freebody,   2007,   p8- ­Ã¢â‚¬ 10)Read MoreEssay about Why the Rich are Getting Richer and the Poor, Poorer1558 Words   |  7 Pagesfocusing on employees not only with specialists’ skills but also a â€Å"broader range of skills and knowledge† (page 6-7). The Hart Report clearly reflects what the needs of contemporary employers are, but the question is whether it is the universities or the students themselves who fail to cope with the requirements of the contemporary world which is filled with technological advancement and critical thinking. The Texas Work Source has also played an important role in examining what is actually missing

Mise-En-Scene in Taxi Driver Free Essays

Taxi Driver is about Travis Bickle, a â€Å"sick† taxi driver who is both a prophet and/or a mad man. We are never allowed to know what the movie itself thinks of him, we are never told to love him or hate him and the movie never states whether he is ethically right or wrong. This movie is not about the answers to the problems of the society. We will write a custom essay sample on Mise-En-Scene in Taxi Driver or any similar topic only for you Order Now It is just about the questions and unknowns. It is just an interesting journey in the modern society that could make people discuss about Travis hours and hours. Talking with other people, I was amazed how people can think of him in different ways. Some say he is â€Å"sick†, some say he is their â€Å"prophet†. The fast cuts in the editing (when he practices with the guns) make us enter in his state of mind. But also, some long takes force us to analyze and understand what happened (Very high-angle takes that Scorsese calls â€Å"Priest shots† after the massacre. ). The movie switches dynamically between these styles, which leaves the audience an infinite ways of thinking about the Travis. This is beyond doubt not a journey like Odysseus where the hero always moves forward. In Taxi Driver the hero’s journey is always around the same circle. He does not meet any new people or experience new situations. Same people turn around him, or maybe he turns around the same people and he repeatedly recognizes similar concepts in them. In a realistic movie the fact that he meets with those people so many times and in so many different places would be a mistake. However, this is not a realistic movie. Palantine who was already around him (thanks to the posters and Betsy) gets into his car (which is highly unlikely to happen); he sees Iris in many different unrelated places (three times); Scorsese appears in the movie twice (the unknown one of these is in the scene where we first see Betsy. He is also watching her in the back. ). Also different people reminds him of similar concepts: Betsy and Iris are both woman who are to be saved from the lives they are stuck in, and he sees many different people who cannot communicate with him. This circle with Travis in its center is also represented in the camera movements: either the camera is traveling around him or it is panning to show the panorama of the New York life through his eyes. Moreover, in two different scenes the camera and Travis make the other 180 degrees of the circle and meet at the same place. These formal elements help us understand and feel how Travis is also encircled and alone in that sick world. The fact that this is not a realistic movie is also proved by some of the elements in the narrative. First of all, Travis is described as someone who never sleeps, and we really never see him sleeping. Secondly, the time gaps between the shots (sometimes a week, or maybe a month: after he first signs up for the job, the next shot is in his apartment, and he describes his daily routine. ) also prove that this is a stylized movie. Lastly, although he is almost illiterate (- Education? – Yes, some, you know, here and there! ), he has a diary and we hear him telling us what he is writing. He sometimes even becomes poetic. All of these are almost implausible for an ordinary taxi driver. As a final point about the realism, I think the appearance of Scorsese himself is to remind us that â€Å"this is just a movie† and that we should not get into the story too much. I think he appears at a very important point, when everything starts to boil and the audience risks to be caught in Travis’ delirium too much. Travis’ alienation and loneliness is one of the most underlined ideas in the movie. Even when he is with other people he is very seldom shown as having a real communication with them. One very interesting shot is when he first sits in the cafe with his friends. He sits on the other side of the table and they are on the other sides of the frame. They seem like they are very far apart from each other. Also, when Travis talks with other people (except Iris and Betsy) he never looks at them. There are even some shots where we see what he is looking at, which shows his disconnection with those people. Naturally, for a person so disconnected to the society â€Å"exchanges† are very important. It could be an exchange of a gun or a paper or feelings. Scorsese emphasizes these using some unusual high angles, looking at the action from above. It happens four times in the movie: in the taxi office, in the movie theater, in the gun exchange, and most importantly when he first declares his love to Betsy in the campaign headquarters. In the last one, there is only a shot of the desk from above and the camera is panning in a strange way with no obvious reason. However, we know from the two other scenes that this shot underlines the â€Å"real exchange† of feelings between Travis and Betsy. Furthermore, in one of the best shots of the movie, after his useless and empty talk with Wizard the camera just stands and watches his cab going away and fading in the streets while Wizard is looking at him. The scene announces his detachment from the people and the society. As Taxi Driver is not moving forward as a movie, there is no reason for an obvious change in style. The dizziness of the colors and the fact that the background is often out-of-focus in the whole movie reminds us that there is no way to see the society in a sharper way and finding solutions. We are almost lost in it. Very shiny colors, especially reds, blues and greens, form the main palette of the movie. However, there are some slight changes of colors. For example, in the scenes where he continues his relationship with Betsy, a peaceful green dominates the screen. In the scenes leading to the final massacre, red becomes the leading and threatening color. Again, after that, green again becomes the main color as the scenes have a feeling of calm in them. Moreover, the Sport’s street is darker than many of the places in the movie suggesting a mystical feeling, which prepares us to the climax that happens there. Other important things I want to note about the mise-en-scene are the costumes and the hairs. Travis often changes the way he is dressed and his hairstyle according to the situation. He becomes a very nice-looking guy when he is going to meet with Iris or Betsy. He wears his nice shirts brushes his hair. When he is going to show his anger or his dark side he either wears his marine or leather coat and leaves his hair as it is or even, at the end, shaves it. These changes show the instability of his personality and the two opposite characters of Travis Bickle, a prophet and a sick guy. When he looks nice, we tend to like him; when he looks crazy, we are afraid. Furthermore, the costumes and the hairstyles help Scorsese call attention to one of the most important parallelisms of the Taxi Driver that I already mentioned. Betsy often wears red clothes as Iris does when they meet with Travis. In addition, they are both blondes. That forces us to understand the parallelism between them; according to Travis they are both to be saved from the lives they are stuck in. The climax of the film is obviously the massacre as it is probably the most intense and shocking scene of the film. It is shot and edited as if it was a dream and we are never sure whether it really happens or whether it is just Travis’ imagination. The only thing we know for sure is that it is the explosion of his unexpressed feelings toward the society and the manifestation of his hate against the people. The use of red and some unusual high angles stress the dreamy quality of the scene. Sport’s reappearance and Travis’ survival despite the shot that just missed his throat are out of our worst nightmares. Again, Scorsese does not expect us to believe in it. He just wants us to meditate in what happened. The following scenes also have the same dreamy mood. The greens dominate the night scenes and an interesting peacefulness is expressed with the very slow panning of camera and the tender voice of Iris’ father. Also the fact that Travis got away without going into prison and Betsy’s way of looking that shows her admiration for him make the scene seem like a wonderful dream. At the very end, although Travis is again driving the car, his face is lightened very strongly in a way we are not used to in the movie (It was always dark! ). Is he enlightened? Is he a prophet? However, suddenly, something happens and his face seems red in the mirror, but he fixes it. Is he a lunatic? Is he dead or dreaming? You won’t find the answer to these questions in this movie. How to cite Mise-En-Scene in Taxi Driver, Essay examples

Widow of Ephesus free essay sample

The Widow of Ephesus Written by Gaius Petronius Arbiter, â€Å"The Widow of Ephesus,† is a story of love, devotion, and betrayal. This story takes place on the coast of Asia, in the city of Ephesus. One of the main characters in this story, the widow, is grieving over her husbands dead body when a soldier abandons his post to aid her. There are later versions of this story, in which all begin the same way. However, their details and conclusions are different and unique. When comparing the original story to the first alternate version, â€Å"Here it is Told of a Gentleman Whom the Emperor Had Hanged,† one might note many differences.In the original story, the widow never alters her husbands dead corpse in any way. However, in the alternate version, the widow breaks off her husbands tooth in order to match that of the missing body, which the Knight was supposed to be guarding (Novellino, para. We will write a custom essay sample on Widow of Ephesus or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page 5). Another difference between the two stories is the title in which the guard possesses. The first story depicts him as a soldier, where as the second story describes him as a Noble Knight. This difference suggests the different settings of time and place between the two stories. One other notable difference is the conclusion of each story.The first story never tells whether or not the widow and the soldier continue their love affair, but the second story tells, â€Å"Then the Knight, seeing what she had done with her husband, said, â€Å"Lady, since you showed so little regard for one towards whom you professed such love, so would you have even less regard for me. † Then he left her, went about his business, and she remained behind in shame† (Novellino, para. 10). In our next alternate version, â€Å"The Perfidious Widow,† differences immediately arise between it and the original story. As in the previous story, our guard carries a different title.In this one, he is referred to as a Captain instead of a Noble Knight or Soldier (Rapporport, para. 2). In addition, the Captain in this story tells the Widow that he is going to run instead of committing suicide. Also, the hair of the dead husbands corpse is plucked out to match that of the corpse which was stolen from the gallows, instead of a tooth extracted. Another difference is that the Widow is not accompanied by a handmaiden. In this story, the Captain hears the Widow crying in the distance, whereas in the previous story, he travels to a nearby Abbey to look for another corpse to replace his missing one.Finally, in the end of this version, the Captain does not leave the Widow and cause her shame. Our final story, â€Å"A Widow Digs Up Her Deceased Husband and Hangs Him on the Gallows,† even more differences arise. In the opening of this story, it is said, â€Å"Now and then there are Widows who are not only happy that their husbands have died, but even those who fail to protect their dead husbands bodies beneath the earth in order to quickly gain another husband,† (Petzoldt, para. 1). Then, the story goes to tell how the widow â€Å"bemoaned,† (para. ) her husbands death many days. This is different from all the other stories, as they never allude that the Widow is happy her husband is dead. In this version, not just one tooth is knocked out, but all of the teeth of the dead husband are knocked out to match the corpse of the man missing from the gallows. There are similarities to the first version we studied, â€Å"Here it is Told of a Gentleman Whom the Emperor Had Hanged,† in that the Widow is basically tricked into giving the dead husbands body in exchange for the missing body the guard lost.